Been on a bit of an A.G. Cook kick lately. I’ve had Soulbreaker on repeat the past few days.
I’ve also been dancing in my room alone to xXXi_wud_nvrstøp_ÜXXx a lot, but I can’t not move when I hear this song.
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I guess the good thing about a loud nye is being able to hear loud music without cops or neighbours showing on your doorstep
I have been once again on a skate kick which lead me back to some stuff from the 2000s. Good or not, there’s a feel to them that I don’t get anywhere else. Dry Cell is one of those bands I had exposure to very young due to some songs being on games so I’m listening to the entire Disconnected album on repeat.
Heat Abnormal by iyowa is one of the most famous Vocaloid songs to feature Adachi Rei out there, with a lot of what makes it so distinctive coming from how her emotionally-detached robotic monotone clashes with her description of the end of the world.
So… What happens when you make a cover with a vocal synth who has a much greater emotional range?
I absolutely adore the way this Teto SV2 cover complements the original. yasai really made sure you hear the sheer desperation in her voice, and it makes the song so much more harrowing to listen to for it.
god even if Egotronic is fucking ANTID their songs still are good and don’t transport that sentiment
Started listening to a bunch of future bass the other day. Some good, some meh but it was nice background music.
I have found myself obsessing over the Paradise Killer soundtrack again
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omg yes based
microtonal goodness
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thinking a lot about the wicked farleys. very underappreciated, I love how they blend different styles and structure their songs in unusual ways
Been in my head, as has this thanks to Super Robot Wars Y and me buying the premium sound DLC so this plays whenever Jet Jaguar (yes like from godzilla) sticks a big stick in a big robot
Racing game obsession is introducing me to some bangers.
I’ve been listening to the Gatchaman Crowds OST again (straight up one of the best soundtracks to any anime period) and I keep gravitating to Berg Katze’s theme.
Genuinely one of my favorite villain themes in all of media. It’s an opera number dressed up in dubstep with some really evil sounding violins, perfectly captures Katze’s menace and manipulative streak, like a beautiful piece of music twisted into a storm of chaos. And that ending bit, gives me chills every single time.
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